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Load it up in ",{"type":13,"tag":904,"props":1036,"children":1037},{},[1038],{"type":26,"value":311},{"type":26,"value":1040},", set it to ",{"type":13,"tag":904,"props":1042,"children":1043},{},[1044],{"type":26,"value":1045},"Audio",{"type":26,"value":1047}," mode, then draw in a ",{"type":13,"tag":904,"props":1049,"children":1050},{},[1051],{"type":26,"value":1052},"punchy envelope",{"type":26,"value":1054}," shape for precise control over the pitch of each note.",{"type":13,"tag":854,"props":1056,"children":1058},{"alt":213,"src":1057},"/img/blog/2026/5-ways-to-make-your-bass-hit-different/1c-pitchshaper.jpg",[],{"type":13,"tag":22,"props":1060,"children":1061},{},[1062,1064,1069],{"type":26,"value":1063},"And to make your bass really hit different, ",{"type":13,"tag":904,"props":1065,"children":1066},{},[1067],{"type":26,"value":1068},"experiment with different pitch shapes",{"type":26,"value":1070},". 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Rather than feeling like static distortion, it now ",{"type":13,"tag":904,"props":1278,"children":1279},{},[1280],{"type":26,"value":1281},"breathes with the bass",{"type":26,"value":943},{"type":13,"tag":854,"props":1284,"children":1287},{"alt":1285,"src":1286},"Add DriveShaper","/img/blog/2026/5-ways-to-make-your-bass-hit-different/2d-driveshaper.jpg",[],{"type":13,"tag":950,"props":1289,"children":1292},{":tracks":1290,"className":1291},"[{\"src\":\"/media/blog/2026/5-ways-to-make-your-bass-hit-different/2e-noiseshaper-driveshaper.mp3\",\"title\":\"NoiseShaper and DriveShaper working together\",\"description\":null}]",[954,955],[],{"type":13,"tag":22,"props":1294,"children":1295},{},[1296,1298,1303,1305,1310],{"type":26,"value":1297},"And for more flair, try ",{"type":13,"tag":904,"props":1299,"children":1300},{},[1301],{"type":26,"value":1302},"different noise samples",{"type":26,"value":1304}," in NoiseShaper to make ",{"type":13,"tag":904,"props":1306,"children":1307},{},[1308],{"type":26,"value":1309},"unique textures",{"type":26,"value":943},{"type":13,"tag":950,"props":1312,"children":1315},{":tracks":1313,"className":1314},"[{\"src\":\"/media/blog/2026/5-ways-to-make-your-bass-hit-different/2f-different-noises.mp3\",\"title\":\"Change the noise sample for different sounds\",\"description\":null}]",[954,955],[],{"type":13,"tag":22,"props":1317,"children":1318},{},[1319,1321,1326],{"type":26,"value":1320},"So a crispy layer of noise adds ",{"type":13,"tag":904,"props":1322,"children":1323},{},[1324],{"type":26,"value":1325},"grit, presence and texture",{"type":26,"value":1327}," that helps the bass cut through, and helps your ear latch onto the sub.",{"type":13,"tag":22,"props":1329,"children":1330},{},[1331,1333,1338],{"type":26,"value":1332},"And if the noise gets too much, just back everything off for a ",{"type":13,"tag":904,"props":1334,"children":1335},{},[1336],{"type":26,"value":1337},"subtle dash of analogue flavour",{"type":26,"value":943},{"type":13,"tag":892,"props":1340,"children":1342},{"id":1341},"low-end-layering",[1343],{"type":26,"value":1344},"Low-End Layering",{"type":13,"tag":22,"props":1346,"children":1347},{},[1348,1350,1355,1357,1362],{"type":26,"value":1349},"Layering two different bass patches together is a classic production technique: a sub for ",{"type":13,"tag":904,"props":1351,"children":1352},{},[1353],{"type":26,"value":1354},"low-end weight",{"type":26,"value":1356},", and a mid-range layer for ",{"type":13,"tag":904,"props":1358,"children":1359},{},[1360],{"type":26,"value":1361},"character",{"type":26,"value":943},{"type":13,"tag":854,"props":1364,"children":1367},{"alt":1365,"src":1366},"Layering two bass patches","/img/blog/2026/5-ways-to-make-your-bass-hit-different/3a-two-synths.jpg",[],{"type":13,"tag":22,"props":1369,"children":1370},{},[1371,1373,1378,1380,1385],{"type":26,"value":1372},"But combining two different patches like this can end up sounding disjointed. For better synergy, try the classic ",{"type":13,"tag":904,"props":1374,"children":1375},{},[1376],{"type":26,"value":1377},"jungle and drum ’n’ bass",{"type":26,"value":1379}," method of ",{"type":13,"tag":904,"props":1381,"children":1382},{},[1383],{"type":26,"value":1384},"generating your mid-range layer from your sub bass",{"type":26,"value":943},{"type":13,"tag":22,"props":1387,"children":1388},{},[1389,1391,1396],{"type":26,"value":1390},"Here’s an ",{"type":13,"tag":904,"props":1392,"children":1393},{},[1394],{"type":26,"value":1395},"808 bass",{"type":26,"value":1397},". It's phat and deep, with a bit of cymbal in the sample. But it isn't interesting enough in the mids to carry the tune.",{"type":13,"tag":854,"props":1399,"children":1402},{"alt":1400,"src":1401},"An 808 bass","/img/blog/2026/5-ways-to-make-your-bass-hit-different/3b-808.jpg",[],{"type":13,"tag":950,"props":1404,"children":1407},{":tracks":1405,"className":1406},"[{\"src\":\"/media/blog/2026/5-ways-to-make-your-bass-hit-different/3a-808-solo.mp3\",\"title\":\"A bog standard 808 bass\",\"description\":null}]",[954,955],[],{"type":13,"tag":950,"props":1409,"children":1412},{":tracks":1410,"className":1411},"[{\"src\":\"/media/blog/2026/5-ways-to-make-your-bass-hit-different/3b-808-in-mix.mp3\",\"title\":\"The same bass in the mix\",\"description\":null}]",[954,955],[],{"type":13,"tag":22,"props":1414,"children":1415},{},[1416,1418,1423],{"type":26,"value":1417},"First, I’ll make a copy of the bass. On the copy, I’ll add ",{"type":13,"tag":904,"props":1419,"children":1420},{},[1421],{"type":26,"value":1422},"an EQ high-passing at just under 200Hz",{"type":26,"value":1424}," to cut out all the bass frequencies, making the track all mids and treble.",{"type":13,"tag":854,"props":1426,"children":1429},{"alt":1427,"src":1428},"EQing the copied 808","/img/blog/2026/5-ways-to-make-your-bass-hit-different/3c-eq-copy.jpg",[],{"type":13,"tag":950,"props":1431,"children":1434},{":tracks":1432,"className":1433},"[{\"src\":\"/media/blog/2026/5-ways-to-make-your-bass-hit-different/3c-808-eq.mp3\",\"title\":\"High-passed 808\",\"description\":null}]",[954,955],[],{"type":13,"tag":22,"props":1436,"children":1437},{},[1438,1440,1445,1447,1452],{"type":26,"value":1439},"Now I can add any effects I want to incorporate before the EQ. The classic mid-bass recipe is: ",{"type":13,"tag":904,"props":1441,"children":1442},{},[1443],{"type":26,"value":1444},"distortion first",{"type":26,"value":1446},", to add meaty harmonics, then a ",{"type":13,"tag":904,"props":1448,"children":1449},{},[1450],{"type":26,"value":1451},"filter second",{"type":26,"value":1453},", to chew on that meat and add tasty movement.",{"type":13,"tag":22,"props":1455,"children":1456},{},[1457,1459,1463,1465,1469,1471,1475,1477,1482,1484,1489],{"type":26,"value":1458},"In ",{"type":13,"tag":904,"props":1460,"children":1461},{},[1462],{"type":26,"value":311},{"type":26,"value":1464},", load ",{"type":13,"tag":904,"props":1466,"children":1467},{},[1468],{"type":26,"value":85},{"type":26,"value":1470}," first, then ",{"type":13,"tag":904,"props":1472,"children":1473},{},[1474],{"type":26,"value":95},{"type":26,"value":1476},". Draw a filter pattern that moves with the groove, ",{"type":13,"tag":904,"props":1478,"children":1479},{},[1480],{"type":26,"value":1481},"\"talking\" in sync with the rhythm",{"type":26,"value":1483},". Getting these animalistic rhythms to groove is key to making ",{"type":13,"tag":904,"props":1485,"children":1486},{},[1487],{"type":26,"value":1488},"basslines that feel unique",{"type":26,"value":943},{"type":13,"tag":854,"props":1491,"children":1494},{"alt":1492,"src":1493},"ShaperBox setup","/img/blog/2026/5-ways-to-make-your-bass-hit-different/3e-shaperbox.jpg",[],{"type":13,"tag":950,"props":1496,"children":1499},{":tracks":1497,"className":1498},"[{\"src\":\"/media/blog/2026/5-ways-to-make-your-bass-hit-different/3d-drive-filter.mp3\",\"title\":\"DriveShaper and FilterShaper add movement\",\"description\":null}]",[954,955],[],{"type":13,"tag":22,"props":1501,"children":1502},{},[1503,1505,1509,1511,1516,1518,1523,1524,1529],{"type":26,"value":1504},"Then add other effects to accentuate that fundamental character: a bit of ",{"type":13,"tag":904,"props":1506,"children":1507},{},[1508],{"type":26,"value":176},{"type":26,"value":1510}," before DriveShaper, ",{"type":13,"tag":904,"props":1512,"children":1513},{},[1514],{"type":26,"value":1515},"compression and volume shaping",{"type":26,"value":1517}," after. Then, after ShaperBox, some ",{"type":13,"tag":904,"props":1519,"children":1520},{},[1521],{"type":26,"value":1522},"OTT",{"type":26,"value":1234},{"type":13,"tag":904,"props":1525,"children":1526},{},[1527],{"type":26,"value":1528},"stereo widening",{"type":26,"value":1530}," pumps up the mids.",{"type":13,"tag":854,"props":1532,"children":1535},{"alt":1533,"src":1534},"Further effects","/img/blog/2026/5-ways-to-make-your-bass-hit-different/3f-further-effects.jpg",[],{"type":13,"tag":950,"props":1537,"children":1540},{":tracks":1538,"className":1539},"[{\"src\":\"/media/blog/2026/5-ways-to-make-your-bass-hit-different/3e-more-fx.mp3\",\"title\":\"Further effects add character\",\"description\":null}]",[954,955],[],{"type":13,"tag":22,"props":1542,"children":1543},{},[1544,1546,1551,1553,1558,1560,1564,1566,1571],{"type":26,"value":1545},"And experimenting with ",{"type":13,"tag":904,"props":1547,"children":1548},{},[1549],{"type":26,"value":1550},"weirder effects",{"type":26,"value":1552}," will make your mid-bass ",{"type":13,"tag":904,"props":1554,"children":1555},{},[1556],{"type":26,"value":1557},"feel really special",{"type":26,"value":1559},". Try ",{"type":13,"tag":904,"props":1561,"children":1562},{},[1563],{"type":26,"value":213},{"type":26,"value":1565}," at the very start of the chain, and automate its ",{"type":13,"tag":904,"props":1567,"children":1568},{},[1569],{"type":26,"value":1570},"Mix",{"type":26,"value":1572}," to blend in an octave-up version of itself by different amounts through the track.",{"type":13,"tag":854,"props":1574,"children":1577},{"alt":1575,"src":1576},"Automating PitchShaper's Mix control","/img/blog/2026/5-ways-to-make-your-bass-hit-different/3g-pitchshaper.jpg",[],{"type":13,"tag":950,"props":1579,"children":1582},{":tracks":1580,"className":1581},"[{\"src\":\"/media/blog/2026/5-ways-to-make-your-bass-hit-different/3f-pitchshaper.mp3\",\"title\":\"PitchShaper with Mix automation completes the sound\",\"description\":null}]",[954,955],[],{"type":13,"tag":22,"props":1584,"children":1585},{},[1586,1588,1592,1594,1599,1601,1606],{"type":26,"value":1587},"The end result: all the ",{"type":13,"tag":904,"props":1589,"children":1590},{},[1591],{"type":26,"value":1126},{"type":26,"value":1593}," of the original sub, plus a ",{"type":13,"tag":904,"props":1595,"children":1596},{},[1597],{"type":26,"value":1598},"moving, textured mid-range layer",{"type":26,"value":1600}," that continually ",{"type":13,"tag":904,"props":1602,"children":1603},{},[1604],{"type":26,"value":1605},"talks and changes",{"type":26,"value":943},{"type":13,"tag":892,"props":1608,"children":1610},{"id":1609},"the-sweet-spot",[1611],{"type":26,"value":1612},"The Sweet Spot",{"type":13,"tag":22,"props":1614,"children":1615},{},[1616,1618,1623],{"type":26,"value":1617},"Play your bass on the ",{"type":13,"tag":904,"props":1619,"children":1620},{},[1621],{"type":26,"value":1622},"wrong notes",{"type":26,"value":1624}," and no amount of processing will save it.",{"type":13,"tag":22,"props":1626,"children":1627},{},[1628,1630,1635,1637,1642],{"type":26,"value":1629},"The sweet spot for sub bass is roughly the range ",{"type":13,"tag":904,"props":1631,"children":1632},{},[1633],{"type":26,"value":1634},"between D0 and G0 (about 36-50Hz)",{"type":26,"value":1636},". These notes carry the most weight and impact on the ",{"type":13,"tag":904,"props":1638,"children":1639},{},[1640],{"type":26,"value":1641},"majority of subwoofers and sound systems",{"type":26,"value":943},{"type":13,"tag":854,"props":1644,"children":1647},{"alt":1645,"src":1646},"The optimum sub bass note range","/img/blog/2026/5-ways-to-make-your-bass-hit-different/4a-notes.jpg",[],{"type":13,"tag":22,"props":1649,"children":1650},{},[1651,1653,1658,1660,1665],{"type":26,"value":1652},"Notes below this range can sound ",{"type":13,"tag":904,"props":1654,"children":1655},{},[1656],{"type":26,"value":1657},"flappy and too low",{"type":26,"value":1659},", and many sound systems won't reproduce their fundamental pitch at all. Notes higher than this range, on the other hand, start to sound more ",{"type":13,"tag":904,"props":1661,"children":1662},{},[1663],{"type":26,"value":1664},"boomy and honky",{"type":26,"value":943},{"type":13,"tag":22,"props":1667,"children":1668},{},[1669,1671,1676],{"type":26,"value":1670},"Having said that, of course, many tracks hit lower or higher than this and ",{"type":13,"tag":904,"props":1672,"children":1673},{},[1674],{"type":26,"value":1675},"sound great",{"type":26,"value":1677},". So you don't have to stick to these notes religiously.",{"type":13,"tag":22,"props":1679,"children":1680},{},[1681,1683,1688,1690,1695],{"type":26,"value":1682},"If you work in a genre where ",{"type":13,"tag":904,"props":1684,"children":1685},{},[1686],{"type":26,"value":1687},"sub weight matters",{"type":26,"value":1689},", though, hitting notes in that zone ",{"type":13,"tag":904,"props":1691,"children":1692},{},[1693],{"type":26,"value":1694},"at least some of the time",{"type":26,"value":1696}," will satisfy the majority of low-end lovers. Here are some tips:",{"type":13,"tag":22,"props":1698,"children":1699},{},[1700,1705,1707,1712,1714,1719],{"type":13,"tag":904,"props":1701,"children":1702},{},[1703],{"type":26,"value":1704},"1.",{"type":26,"value":1706}," If, in the early stages of making a track, you're not getting the ",{"type":13,"tag":904,"props":1708,"children":1709},{},[1710],{"type":26,"value":1711},"impact and weight",{"type":26,"value":1713}," you want, consider ",{"type":13,"tag":904,"props":1715,"children":1716},{},[1717],{"type":26,"value":1718},"transposing the entire track",{"type":26,"value":1720}," to a higher or lower key.",{"type":13,"tag":854,"props":1722,"children":1725},{"alt":1723,"src":1724},"Transpose the sub bass if necessary","/img/blog/2026/5-ways-to-make-your-bass-hit-different/4b-transpose.jpg",[],{"type":13,"tag":22,"props":1727,"children":1728},{},[1729,1734,1736,1741,1743,1748,1750,1755],{"type":13,"tag":904,"props":1730,"children":1731},{},[1732],{"type":26,"value":1733},"2.",{"type":26,"value":1735}," If your bass ",{"type":13,"tag":904,"props":1737,"children":1738},{},[1739],{"type":26,"value":1740},"follows chord changes",{"type":26,"value":1742},", try to land on those optimal notes at least some of the time. That might mean landing on a note other than the ",{"type":13,"tag":904,"props":1744,"children":1745},{},[1746],{"type":26,"value":1747},"root of the chord",{"type":26,"value":1749},", like the ",{"type":13,"tag":904,"props":1751,"children":1752},{},[1753],{"type":26,"value":1754},"third or fifth",{"type":26,"value":943},{"type":13,"tag":854,"props":1757,"children":1760},{"alt":1758,"src":1759},"Aim for optimal notes as often as you can","/img/blog/2026/5-ways-to-make-your-bass-hit-different/4c-optimal-notes.jpg",[],{"type":13,"tag":22,"props":1762,"children":1763},{},[1764,1769,1771,1776,1778,1783],{"type":13,"tag":904,"props":1765,"children":1766},{},[1767],{"type":26,"value":1768},"3.",{"type":26,"value":1770}," Don't forget ",{"type":13,"tag":904,"props":1772,"children":1773},{},[1774],{"type":26,"value":1775},"pitch bends and envelopes",{"type":26,"value":1777},". Bending a note down into a deeper range can be just enough to tickle those optimal areas, even when your root key is higher. A single bass note ",{"type":13,"tag":904,"props":1779,"children":1780},{},[1781],{"type":26,"value":1782},"bending through many pitches",{"type":26,"value":1784}," feels extra satisfying on a big system.",{"type":13,"tag":854,"props":1786,"children":1789},{"alt":1787,"src":1788},"Pitchbend into the deeper range","/img/blog/2026/5-ways-to-make-your-bass-hit-different/4d-pitchbend.jpg",[],{"type":13,"tag":22,"props":1791,"children":1792},{},[1793,1795,1800,1802,1807],{"type":26,"value":1794},"Hitting optimal bass notes ",{"type":13,"tag":904,"props":1796,"children":1797},{},[1798],{"type":26,"value":1799},"isn't mandatory",{"type":26,"value":1801},", but it's one of those things that separates those tracks that ",{"type":13,"tag":904,"props":1803,"children":1804},{},[1805],{"type":26,"value":1806},"rattle speakers",{"type":26,"value":1808}," from those that don't.",{"type":13,"tag":892,"props":1810,"children":1812},{"id":1811},"make-your-bass-breathe",[1813],{"type":26,"value":1814},"Make Your Bass Breathe",{"type":13,"tag":22,"props":1816,"children":1817},{},[1818,1820,1825,1827,1832],{"type":26,"value":1819},"Static processing — where distortion, filtering, or effects hit the signal ",{"type":13,"tag":904,"props":1821,"children":1822},{},[1823],{"type":26,"value":1824},"the same way every time",{"type":26,"value":1826}," — sounds ",{"type":13,"tag":904,"props":1828,"children":1829},{},[1830],{"type":26,"value":1831},"flat and mechanical",{"type":26,"value":1833},". Your ear gets used to it fast.",{"type":13,"tag":22,"props":1835,"children":1836},{},[1837,1839,1844,1846,1851,1853,1858,1860,1865,1867,1872],{"type":26,"value":1838},"But if you make the processing ",{"type":13,"tag":904,"props":1840,"children":1841},{},[1842],{"type":26,"value":1843},"react to the signal",{"type":26,"value":1845},", or ",{"type":13,"tag":904,"props":1847,"children":1848},{},[1849],{"type":26,"value":1850},"other signals",{"type":26,"value":1852}," in the mix, everything comes to life. Producers talk about ",{"type":13,"tag":904,"props":1854,"children":1855},{},[1856],{"type":26,"value":1857},"gluing a mix",{"type":26,"value":1859}," with reverb, compression and other master effects, but making ",{"type":13,"tag":904,"props":1861,"children":1862},{},[1863],{"type":26,"value":1864},"sounds react to and interact with each other",{"type":26,"value":1866}," is another powerful technique for ",{"type":13,"tag":904,"props":1868,"children":1869},{},[1870],{"type":26,"value":1871},"mix cohesion",{"type":26,"value":1873}," that rarely gets talked about.",{"type":13,"tag":22,"props":1875,"children":1876},{},[1877],{"type":26,"value":1878},"Let's look at an example. Here, I have a bass playing a sparse pattern…",{"type":13,"tag":854,"props":1880,"children":1883},{"alt":1881,"src":1882},"Sparse bassline","/img/blog/2026/5-ways-to-make-your-bass-hit-different/5a-bass-pattern.jpg",[],{"type":13,"tag":950,"props":1885,"children":1888},{":tracks":1886,"className":1887},"[{\"src\":\"/media/blog/2026/5-ways-to-make-your-bass-hit-different/5a-bassline.mp3\",\"title\":\"A sparse bass pattern\",\"description\":null}]",[954,955],[],{"type":13,"tag":22,"props":1890,"children":1891},{},[1892],{"type":26,"value":1893},"…and a group comprising all my percussion and synths.",{"type":13,"tag":854,"props":1895,"children":1898},{"alt":1896,"src":1897},"Percussion and synth group","/img/blog/2026/5-ways-to-make-your-bass-hit-different/5b-perc-synth-group.jpg",[],{"type":13,"tag":950,"props":1900,"children":1903},{":tracks":1901,"className":1902},"[{\"src\":\"/media/blog/2026/5-ways-to-make-your-bass-hit-different/5b-percussion.mp3\",\"title\":\"Grouped percussion and synths\",\"description\":null}]",[954,955],[],{"type":13,"tag":22,"props":1905,"children":1906},{},[1907,1909,1913,1915,1919,1921,1926],{"type":26,"value":1908},"First, I'll load ",{"type":13,"tag":904,"props":1910,"children":1911},{},[1912],{"type":26,"value":311},{"type":26,"value":1914}," on the group and route the bass into its sidechain input. In ",{"type":13,"tag":904,"props":1916,"children":1917},{},[1918],{"type":26,"value":85},{"type":26,"value":1920},", I'll activate the Envelope Follower's ",{"type":13,"tag":904,"props":1922,"children":1923},{},[1924],{"type":26,"value":1925},"External Sidechain",{"type":26,"value":1927}," Input.",{"type":13,"tag":854,"props":1929,"children":1932},{"alt":1930,"src":1931},"Sidechained DriveShaper","/img/blog/2026/5-ways-to-make-your-bass-hit-different/5c-driveshaper.jpg",[],{"type":13,"tag":22,"props":1934,"children":1935},{},[1936,1938,1943,1945,1949],{"type":26,"value":1937},"As I turn up the ",{"type":13,"tag":904,"props":1939,"children":1940},{},[1941],{"type":26,"value":1942},"Amount",{"type":26,"value":1944},", the bass triggers distortion on the group. The ",{"type":13,"tag":904,"props":1946,"children":1947},{},[1948],{"type":26,"value":1179},{"type":26,"value":1950}," distorts the group harder when the bass plays, then backs off when the bass stops.",{"type":13,"tag":854,"props":1952,"children":1955},{"alt":1953,"src":1954},"Bass-triggered distortion","/img/blog/2026/5-ways-to-make-your-bass-hit-different/5d-group-distortion.jpg",[],{"type":13,"tag":950,"props":1957,"children":1960},{":tracks":1958,"className":1959},"[{\"src\":\"/media/blog/2026/5-ways-to-make-your-bass-hit-different/5c-driveshaper-sidechain.mp3\",\"title\":\"The bass distorts the percussion/synth group via DriveShaper's Envelope Follower\",\"description\":null}]",[954,955],[],{"type":13,"tag":22,"props":1962,"children":1963},{},[1964,1966,1971],{"type":26,"value":1965},"So the distortion ",{"type":13,"tag":904,"props":1967,"children":1968},{},[1969],{"type":26,"value":1970},"breathes",{"type":26,"value":1972}," with the performance. It creates this \"togetherness\" that makes the groove feel unified.",{"type":13,"tag":22,"props":1974,"children":1975},{},[1976,1978,1982],{"type":26,"value":1977},"Using the bass as a trigger again, you can use ",{"type":13,"tag":904,"props":1979,"children":1980},{},[1981],{"type":26,"value":95},{"type":26,"value":1983}," to take out a bit of high end only when the bass plays.",{"type":13,"tag":854,"props":1985,"children":1988},{"alt":1986,"src":1987},"Adding FilterShaper","/img/blog/2026/5-ways-to-make-your-bass-hit-different/5e-filtershaper.jpg",[],{"type":13,"tag":950,"props":1990,"children":1993},{":tracks":1991,"className":1992},"[{\"src\":\"/media/blog/2026/5-ways-to-make-your-bass-hit-different/5d-filtershaper.mp3\",\"title\":\"FilterShaper follows the bass too, filtering the group when the bass plays\",\"description\":null}]",[954,955],[],{"type":13,"tag":22,"props":1995,"children":1996},{},[1997,1999,2004,2006,2011],{"type":26,"value":1998},"Or get creative: mix in some ",{"type":13,"tag":904,"props":2000,"children":2001},{},[2002],{"type":26,"value":2003},"reverb",{"type":26,"value":2005}," responding to the bass signal, or add bass-reactive ",{"type":13,"tag":904,"props":2007,"children":2008},{},[2009],{"type":26,"value":2010},"sample rate reduction",{"type":26,"value":943},{"type":13,"tag":854,"props":2013,"children":2016},{"alt":2014,"src":2015},"Reactive reverb","/img/blog/2026/5-ways-to-make-your-bass-hit-different/5f-reverbshaper.jpg",[],{"type":13,"tag":950,"props":2018,"children":2021},{":tracks":2019,"className":2020},"[{\"src\":\"/media/blog/2026/5-ways-to-make-your-bass-hit-different/5e-reverbshaper.mp3\",\"title\":\"Finally, ReverbShaper brings reactive ambience\",\"description\":null}]",[954,955],[],{"type":13,"tag":22,"props":2023,"children":2024},{},[2025,2027,2032],{"type":26,"value":2026},"Making your bass change the sound of other parts in this way will make your low end feel ",{"type":13,"tag":904,"props":2028,"children":2029},{},[2030],{"type":26,"value":2031},"omnipresent",{"type":26,"value":2033},", exerting its influence over the whole mix.",{"title":5,"searchDepth":37,"depth":37,"links":2035},[2036,2037,2038,2039,2040],{"id":894,"depth":37,"text":897},{"id":1083,"depth":37,"text":1086},{"id":1341,"depth":37,"text":1344},{"id":1609,"depth":37,"text":1612},{"id":1811,"depth":37,"text":1814},"content:blog:5-ways-to-make-your-bass-hit-different.md","blog/5-ways-to-make-your-bass-hit-different.md","blog/5-ways-to-make-your-bass-hit-different",{"data":2045,"body":2046,"excerpt":-1,"toc":2052},{"title":5,"description":885},{"type":10,"children":2047},[2048],{"type":13,"tag":22,"props":2049,"children":2050},{},[2051],{"type":26,"value":885},{"title":5,"searchDepth":37,"depth":37,"links":2053},[],1794573244960]